Phish: 03/07/2009 Mike’s Song / Weekapaug Groove [VQ: A-, AQ: A, CK5]
Phish: 08/09/2004 Entire Show Hampton, VA [VQ: A-, AQ: A+]
Set 1
Set 2
Set 1: Chalk Dust Torture, Bathtub Gin -> Runaway Jim, Walls of the Cave, Loving Cup
Set 2: All of These Dreams, Limb By Limb, Lifeboy, Crowd Control, Seven Below[1], Stash -> NICU, Bug, Contact[2] > Character Zero
Encore: David Bowie
[1] Mary Had a Little Lamb tease.
[2] Little Drummer Boy jam.
Notes: All of These Dreams was preceded by a Fluffhead tease. After several glowsticks hit Trey’s rig at the end of Seven Below, Trey’s guitar tech, Brian Brown, had to come onstage to do some damage control, prompting Trey to say some word of thanks. Seven Below contained a Mary Had a Little Lamb tease from Trey. Contact culminated in a Little Drummer Boy jam.
[Setlist via Phish.net]
Phish: 12/18/1999 Entire Show [VQ: B-/C, AQ: B+]
Set 1
Set 2
Set 1: Harry Hood, Back at the Chicken Shack, Dog Log, Tube, Heavy Things, Back on the Train, First Tube, The Inlaw Josie Wales[1], You Enjoy Myself
Set 2: Also Sprach Zarathustra[2] > Sand, The Horse > Silent in the Morning, Possum, Mike’s Song > Simple, Weekapaug Groove -> Buffalo Bill > Weekapaug Groove[3]
Encore: Ya Mar, Sleeping Monkey
[1] Trey on acoustic guitar.
[2] Do You Feel Like We Do tease.
[3] Norwegian Wood and Buffalo Bill teases.
Notes: Dog Log was dedicated to Paul Languedoc. Afterwards, the band reprised the song for a few seconds after Trey remarked how much he liked it. Inlaw Josie Wales featured Trey on acoustic guitar. 2001 included Do You Feel Like We Do (Peter Frampton) teases; Trey also introduced Fishman as ‘Bob Mayonnaise’, likely a reference to Bob Mayo, who played keys on Frampton Comes Alive. Weekapaug included Norwegian Wood and Buffalo Bill teases.
[Setlist via Phish.net]
Remembrances: Hampton ’97 – A Look Back, Part One [Phish.net]
The opener in hindsight is a tremendous treat, the debut of The Rolling Stones “Emotional Rescue.” A song that only Mike could properly handle his shift between baritone and falsetto tones pays a nice homage to a legend like Jagger. It’s also a glimpse into the vocal range Mike has always possessed. In 1997 his vocals felt more like a goof than a talent, but fourteen years later you can hear the potential and see the connection to the extremely strong vocal presence he maintains now.
Contests: HT Giveaway – Win Phish Hampton / Winston-Salem ’97 [Hidden Track]
Hidden Track is giving away three copies of Hampton / Winston-Salem ’97 and a Black-Eyed Katy bundle which includes a t-shirt and 2012 calendar. Read this post for full details.
Phish: Theme From The Bottom > Black-Eyed Katy from Hampton / Winston-Salem ’97
Hampton ’97: Stream/Download AC/DC Bag -> Slave to the Traffic Light from new release [HT]
Hampton/Winston-Salem ’97: Phish Release 7-CD Box Set of Historic Shows [Rolling Stone]
Audio: Sample Mike’s > Hydrogen > Weekapaug from Hampton / Winston-Salem ’97 [Hidden Track]
Live Phish: Phish to Release Hampton / Winston-Salem ’97 [Hidden Track]
When discussing the Holy Grail of Phish shows stuck inside the band’s vault, the Hampton ’97 performances and Big Cypress are usually towards the top of most fans’ lists. On December 6, Phish fans will finally get to hear the Hampton ’97 performances in all their Fred Kevorkian-mastered soundboard glory when JEMP Records puts out Hampton / Winston Salem ’97. The wonderful kicker is that the band has attached the severely underrated November 23, 1997 show to this seven-CD set that will also include never-before-heard soundchecks.
Venues: Phish to Return to Portsmouth [Daily Press]
Does this mean that Phish’s long, well-publicized love affair withHampton Coliseum is over?
“Absolutely not,” said Joe Tsao, director of the Coliseum. He pointed out that a number of Phish shows in Hampton were special events, either part of a farewell or a welcome back set of concerts.
“Now, they’re back to regular touring,” Tsao said. “Are they saving me for something special? I don’t know.”
Songs: Stories About Songs – Hampton Fluffhead [BeauColburn]
This one moment—this one choice—didn’t just set the tone for that show, or that tour, but for the rest of the band’s career. And to be honest, it set the tone for how I would feel about them moving forward. This was the real deal. So this is how it’s gonna be huh? They were clearly serious and I would take them seriously.
Of all the shows, in all the years, this one song—these few seconds as the waves of excitement expanded through the crowd—stand above anything else I’ve ever experienced. If you could bottle the feeling in that room at that moment you could solve a lot of problems. Pure, pure bundles of joy.
Hampton Anniversary: Ace Cowboy’s Phish Hampton Review [HT]
To accurately describe what it’s like having the popular rock band Phish back on the Hampton Coliseum stage, let me steal a quip from that lovable ol’ drunkard Arthur when he tells Linda about owning a yacht: “It doesn’t suck.”
Remembrances: Hampton ’09 – A Look Back [Phish Thoughts]
Over the three-part dream, Phish played for nearly ten hours, running through no less than 84 songs of their notoriously vast catalog. From the very beginning of 2009, beginning with “Fluffhead,” and “Divided Sky,” one sensed things would be different this time around. Focused far more on composition and precision than jamming, the band got back to basics at Hampton, a trend that characterized the entire year for Phish. Without getting too crazy or improvisational, Hampton set up the rest of 2009, just as 2009 set up 2010; both periods representing building blocks towards high-level musical proficiency without too many risks.
Rumors: Will The Band Return to the Hampton Coliseum? [Daily Press]
Whispers circulating locally and nationally suggest that jam band kings Phish may return to Hampton Coliseum before year’s end.
A Hampton city government official, speaking on condition of anonymity, said Phish is definitely coming back this year — probably sometime in the fall.