Plugin Name: Brian's Latest Comments
Plugin URI: http://meidell.dk/archives/category/wordpress/latest-comments/
Description: This shows an overview of the recently active articles and the last people to comment on them. Original idea and code fixes contributed by Michael Heilemann. If you have Dunstan's Time Since installed, this plugin uses it for the title="" attributes on the comments and posts. (For WordPress 1.5)
Author: Brian Meidell
Author URI: http://meidell.dk/
Version 1.5: Now works without LOCK TABLE and CREATE TEMPORARY TABLE priviledges.
Version 1.5.1: Can't remember what I did here
Version 1.5.2: Fixed count select statement to not include spammy comments
Version 1.5.3: Properly excludes track- and pingbacks
Version 1.5.4: Excludes posts that are not published, even if they have comments
Version 1.5.5: Fade old comments, fixed bug that wreaked havoc with Time Since
Version 1.5.6: Bugfix from Jonas Rabbe (http://www.jonas.rabbe.com/) pertaining to timesince
Version 1.5.7: Bugfix so old colors can be darker than new colors (stupid oversight), thanks to http://spiri.dk for spotting it.
Bugfix where single digit hex would cause invalid colors, thanks to http://www.wereldkeuken.be/ for the fix.
Version 1.5.8: Updated to work with WordPress 2.1 alpha by M. Heilemann.
function blc_latest_comments($num_posts = 5, $num_comments = 6, $hide_pingbacks_and_trackbacks = true, $prefix = "
", $postfix = "
", $fade_old = true, $range_in_days = 10, $new_col = "#444444", $old_col = "#cccccc")
function clamp($min, $max, $val)
$usetimesince = function_exists('time_since'); // Work nicely with Dunstan's Time Since plugin (adapted by Michael Heilemann)
// This is compensating for the lack of subqueries in mysql 3.x
// The approach used in previous versions needed the user to
// have database lock and create tmp table priviledges.
// This uses more queries and manual DISTINCT code, but it works with just select privs.
$ping = "";
$ping = "AND comment_type<>'pingback' AND comment_type<>'trackback'";
$posts = $wpdb->get_results("SELECT
FROM ($wpdb->comments LEFT JOIN $wpdb->posts ON (comment_post_ID = ID))
WHERE comment_approved = '1'
ORDER BY comment_date DESC;");
$seen = array();
$num = 0;
$max_time = $range_in_days * 24 * 60 * 60 ;
$r_new = hexdec(substr($new_col, 1, 2));
$r_old = hexdec(substr($old_col, 1, 2));
//$r_min = min($min, $max);
//$r_max = max($min, $max);
$r_range = ($r_old-$r_new);
$g_new = hexdec(substr($new_col, 3, 2));
$g_old = hexdec(substr($old_col, 3, 2));
//$g_min = min($min, $max);
//$g_max = max($min, $max);
$g_range = ($g_old-$g_new);
$b_new = hexdec(substr($new_col, 5, 2));
$b_old = hexdec(substr($old_col, 5, 2));
//$b_min = min($min, $max);
//$b_max = max($min, $max);
$b_range = ($b_old-$b_new);
// print "ranges: $r_range, $g_range, $b_range ";
// print "r: ".(0.5*$r_range+$r_new)." ";
foreach($posts as $post)
// The following 5 lines is a manual DISTINCT and LIMIT,
// since mysql 3.x doesn't allow you to control which way a DISTINCT
// select merges multiple entries.
$seen[$post->comment_post_ID] = true;
if($num++ > $num_posts)
$commenters = $wpdb->get_results("SELECT *, UNIX_TIMESTAMP(comment_date) AS unixdate FROM $wpdb->comments
WHERE comment_approved = '1'
AND comment_post_ID = '".$post->comment_post_ID."'
ORDER BY comment_date DESC
$count = $wpdb->get_var("SELECT COUNT(comment_ID) AS c FROM $wpdb->comments WHERE comment_post_ID = $post->comment_post_ID AND comment_approved = '1' ".$ping);
$i = 0;
$link = get_permalink($post->comment_post_ID);
$title = " title=\"Last comment was ".time_since($comment->unixdate)." ago\"";
$title = "";
echo $prefix."".stripslashes($post->post_title). "".$count." \n";
foreach($commenters as $commenter)
$title = " title=\"Posted ".time_since($commenter->unixdate)." ago\"";
$diff = time() - $commenter->unixdate;
$r = round($diff/$max_time*($r_range))+$r_new;
$r = clamp(min($r_new, $r_old), max($r_new, $r_old), $r);
$g = round($diff/$max_time*($g_range))+$g_new;
$g = clamp(min($g_new, $g_old), max($g_new, $g_old), $g);
$b = round($diff/$max_time*($b_range))+$b_new;
$b = clamp(min($b_new, $b_old), max($b_new, $b_old), $b);
$r_hex = str_pad(dechex($r), 2, '0', STR_PAD_LEFT);
$g_hex = str_pad(dechex($g), 2, '0', STR_PAD_LEFT);
$b_hex = str_pad(dechex($r), 2, '0', STR_PAD_LEFT);
$colstr = " style=\"color: #".$r_hex.$g_hex.$b_hex.";\"";
if($i++ > 0)
echo ", ";
if($count > $num_comments)
echo " [...]";
Reviews | YEMblog
Gordon and friends saved the best for first, exploding with a monster first set that featured, in its 90-plus minutes, a chunk of nearly an hour with no pause in the proceedings. Songs flowed together with great ease, segues varying from the quick and deftly executed to slow builds that almost miraculously twisted from point A to point B. Afterwards, the second set felt like a prolonged warm-up; there was plenty of thrashing rock & roll energy, but it seemed the fireworks had already exploded. (Along the way, Alanis Morissette’s “Hand in My Pocket” was recast as a Southern rock tune that could have been a Black Crowes outtake.)
Set between the abstract psychedelia that stretched from 1994-1996 and the cosmic rock that formed between 1998 and 2000, this phase marked the largest upending in Phish’s career since they graduated from playing Grateful Dead and Wilson Pickett tunes in the 80s. The inspiration for this transition came while performing the entirety of Talking Heads’ Remain in Light on Halloween ’96, gradually taking hold over the following year, and finally coming to fruition during the fall of ’97.
After an ear-bending series of artistic advances for three years previous, 1996 had proven an anticlimactic period of retrenchment. The next year was a thrilling advance, with two small-venue European tours injecting a fresh sense of spontaneous musical intimacy to the band’s interplay, paired with the psychedelic free-rock chops it had been honing since the early ‘90s. And by now Phish’s nascent interest in rhythm-based jamming had matured into a headlong infatuation with funk-rock. Guitarist and primary songwriter Trey Anastasio later described the style, aptly, as “cow funk” — the result of four white guys from Vermont getting heavily into James Brown records, while experimenting with slower tempos and meditative, deep grooves. (Alas, it inspired a seemingly unending parade of flaccid-funk groups that mistook dynamic stasis for the pocket.)